Technical Specifications and Equipment
Wooden Top: in veneer wood with slanted edges, 3,8 cm thick.
Glass Top: tempered in accordance with safety regulating and lacquered glossy black. The glass top is 1.2 cm thick for 200 and round models, while it is 1.5 cm thick for tables larger than 240/300 cm. The top in hammered glass is 1 cm thick.
Ceramic Top: 0.6 cm thick porcelain stoneware coupled with 1 cm thick tempered glass. Easy to clean and resistant to scratches, wear and tear and high temperatures.
Marble Top: 2 cm thick with slanted edges coupled with a 2 cm thick black wooden under-top. Natural marble slabs carefully selected and processed to enhance their colours: each top should be seen as a unique piece, the veins and colour change from piece to piece.
Optional Lazy Susan: 3.5 cm thick revolving centrepiece tray, for Ø 160 / 180 cm round glass, ceramic and marble tables.
Under-Top / Base Combinations for XL models
The XL ceramic tables (shaped, cm 340 x 119 and 400 x 119) do not always have an under-top that matches the base. The table below contains the correct combinations for each finish.
Base Finish
|
Under-Top Finish
|
| Black |
matching the Base |
| Charcoal |
Black |
| Ivory |
matching the Base |
| Titanium |
matching the Base |
| Bronze |
matching the Base |
| Gold |
matching the Base |
| Brushed Platinum |
Titanium |
| Brushed Bronze |
Bronze |
Material Specifications
Marble: elegant and refined stone marble, characterised by open veins that sometimes may present some resin based speckles that create a uniform and smooth surface so that the top comes with no irregularities, granting additional structural resistance. Because it is a natural stone that is sometimes more than a million years old, the surface cannot be defined as 'perfect'; each piece is different from the next, depending on the cutting and polishing process. It may have natural micro imperfections, a characteristic of marble and not due to defects. Marble tops are naturally porous: any protective polyester treatment hides this porosity to the touch, leaving all the natural features of the stone visible.
Hammered glass: is obtained by working the sheet in a melting furnace (this is why it is also called 'fired glass'). The sheet that has already been moulded is in fact heated and then left to cool: as it cools, the glass 'relaxes', acquiring the particular texture: the effect you get as a result is a wavy surface reminiscent of wrought iron, rich and textured both to the eye and to the touch, which gives a pleaseant play of light, shadows and reflections.
